
A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable." Morihiro Wada (1947-2007) exhibit...
整套Vital Signals的實驗水準還是比不上FMF和Voyant。最讓我上心的是今井祝雄的Video Performance。實驗映像和視覺藝術的界限實質很模糊;穿越媒介/介質也是我最為上心。有些居高自立的人說實驗電影都是垃圾。要麼膠柱鼓瑟,要麼自以為是,都可笑至極,或好或差也是實驗。試問什麽映像不是「實驗」的?
是难得 “下饭” 佳作,轻松诙谐风格、紧凑剧情,闲暇观影驱散疲惫,带来愉悦好心情,解压又惬意。
虽然影片在某些方面存在不足,但对于喜欢这类题材的观众来说还是值得一看的。
遗憾的是,剧情架构稍显松散,多条线索并行时衔接不够紧密,致使故事连贯性受损,观影时偶尔会有 “断档” 之感。
演员对角色诠释入木三分,从细微肢体动作到表情神态变化,精准传递角色内心情绪,让人沉浸角色命运,感同身受。
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